The film Fall of an Empire displayed in panoramic vision the general movement of human history—what modern man does not want to look at. Unfortunately, modern man sees only the surface of this film, wishing to guard himself from the yoke of responsibility for his actions as observed under the microscope of history. Modern man prefers to see that small stitch of zigzag on which he sits, and doesn’t want to know where this winding river of history flows as a whole. The film reminds us about our foremother Byzantium, something intentionally removed not only from the soviet Russian historical awareness, but also from that of the European.